Dan,
Again, there is so much to talk about (and we may determine we don't have the time for it). First I would be careful about taking a difficult passage like the 70 weeks and making that ones roadmap for prophecy. Take Revelation on its own, if your roadmap of the 70 weeks is correct it will confirm it. Be careful, however, of taking your roadmap and making Revelation fit into it.
A fundamental difference between the preterist and the futurist is on how to interpret Revelation that is really where the discussion should begin. Here are some of my thoughts in a nutshell (a rather long winded nutshell I am afraid; sorry if it is too much stuff).
It is important that one has a consistent hermeneutic when interpreting Revelation. One’s hermeneutic, or method of interpretation, will to a great extent determine the conclusions one comes to concerning the book. Osborn concurs: “Perhaps more than any other book, our understanding of the meaning of Revelation depends on the hermeneutical perspective we bring to bear on it.”1 Those who are looking at Revelation as a collection of literal physical events will interpret the visions very differently from those who see the events as more symbolic in nature. Most of the differences between futurists and preterists can be traced to differences in how each approaches Revelation. Most of these differences center on how literally or symbolically the images are being interpreted.
APOCALYPTIC WRITING
The book of Revelation is also known as The Apocalypse. This title is taken from Revelation 1:1 where we are told that the book is a revelation (Gr. apokalypsis) of Jesus. The Greek word apokalypsis means an uncovering or unveiling.2 A common understanding is that what is being unveiled in Revelation is the future. While it is true that Revelation was unveiling future things (things near to when the book was written, Rev. 1:1, 3; 22:6, 10),3 this is not the primary unveiling of the book. The primary unveiling of Revelation is one of the spiritual realm. That is, Revelation unveils the invisible realm of the spirit, making it visible by way of symbols.
The following description of the apocalyptic genre by Osborne fits Revelation quite well.
Apocalyptic entails the revelatory communication of heavenly secrets by an otherworldly being to a seer who presents the visions in a narrative framework; the visions guide readers into a transcendent reality that takes precedence over the current situation and encourages readers to persevere in the midst of their trials. The visions reverse normal experience by making the heavenly mysteries the real world and depicting the present crisis as a temporary, illusory situation. This is achieved via God’s transforming the world for the faithful.4
Revelation is much more than a letter written to the churches of Asia using an apocalyptic style, however. It is a prophecy from God (Rev. 1:1-3; 22:6-10). Beale writes the following on the uniqueness of Revelation.
The most preferable view is that Revelation is “a prophecy cast in an apocalyptic mold and written down in a letter form” [D.A. Carson, D.J. Moo and L. Morris, An Introduction to the New Testament, (Grand Rapids: Zondervan, 1992), 479] in order to motivate the audience to change their behavior in the light of the transcendent reality of the book’s message. The conclusion of Ramsay Michaels is judicious when he refers to Revelation’s genre as “mixed” and unique: “If a letter, it is like no other early Christian letter we possess. If an apocalypse, it is like no other apocalypse. If a prophecy, it is unique among prophecies.”[J.R. Michaels, Interpreting the Book of Revelation (Grand Rapids: Baker, 1992), 30, 31-32]5
It should also be noted that Revelation was originally intended to be read aloud (Rev. 1:3). Thus, its grand images and stylized use of numbers may also function as a mnemonic device to help its hearers retain its message.6
IS REVELATION LITERAL OR SYMBOLIC?
Most modern-day readers have little to no experience with apocalyptic writings and do not quite know what to make of the bizarre images of Revelation. The question of how much of the book is symbolic and how much is literal is one of the first questions that any reader of Revelation must consider. To say that one is simply going to read the book literally is foolishness; much of Revelation is clearly symbolic. No one looks for a literal seven-headed beast from the sea (Rev. 13:1), or a two-headed beast from the land (Rev. 13:11). No one looks for a lamb with seven eyes and seven horns (Rev. 5:5-7). Few if any look for a literal star to fall to the earth and release actual locusts from a bottomless pit (Rev. 9:1-3). No one looks for a literal harlot sitting on the beast (Rev. 17:3). While these things are clearly symbolic, what about something less bizarre, such as the two witnesses in Revelation 11:1-14? Are the two witnesses two actual people or are they just as much a symbol as the harlot? This brings up the question, how does one determine what is literal and what is symbolic in Revelation? Is the book mostly literal or mostly symbolic or a combination of both? If it is a combination of literal and symbolic images, how does one determine which are which? Before I address this question, allow me to define how I use the terms literal and symbolic.
Webster’s Dictionary gives the following definitions of literal and symbolic:7
LITERAL (3a): based on the actual words in their ordinary meaning; not figurative or symbolic /the literal meaning of a passage/.
SYMBOLIC (1): of or expressed in a symbol or symbols.
SYMBOL (1): something that stands for, represents, or suggests another thing; esp., an object used to represent something abstract; emblem /the dove is a symbol of peace/.
The slain Lamb with seven eyes and seven horns on God’s throne (Rev. 5:6-14) taken literally (“the actual words in their ordinary meaning”) would mean a physical lamb with seven eyes and seven horns sitting on a fancy chair in heaven. Taken symbolically, this slain lamb would stand for or represent something other than simply a lamb. I trust this is a pretty clear example. The book of Revelation is not talking about a literal lamb here; it is talking about Jesus, the Lamb of God—God’s perfect sacrifice for man’s sin. The Lamb here is obviously a symbol (“something that stands for, represents, or suggests another thing”). Note, however, that just because a symbol is being used does not mean the meaning it is conveying is not real. The symbolic meaning of a slain Lamb on the throne is much more profound than any meaning that could be derived from a literal lamb on the throne. This is an important point; most of the time the symbolic interpretation in Revelation is the more powerful one.
Symbolic understandings of Scripture are viewed with suspicion by many who hold a high view of the Bible. This is primarily due to the excesses that have arisen from the misuse of such interpretations by those with a low view of Scripture. Again, just because something is symbolic does not mean it is any less of a reality. For example, the symbolic understanding of the white hair of the Son of Man in Revelation 1:14 (symbolic of his eternality, as it is with the Ancient of Days in Dan. 7:9) is far more powerful than a literal understanding that Jesus has white hair. The interpretation of the symbolic passages of Scripture can be difficult at times; the way to stay on track is to let Scripture interpret Scripture. The place to find the meaning of the Revelation symbols is in Scripture, especially in the OT. The major reason we have so much trouble understanding Revelation is that we do not know our OT as well as we should. This was not a problem for the first-century audience to whom Revelation was written; the OT was their Bible.
SENSUS LITERALIS
Another meaning is sometimes given to the term literal. R.C. Sproul writes the following on this.
The orthodox Protestant hermeneutic follows Martin Luther’s view of the sensus literalis. There is much confusion today regarding the “literal sense” of Scripture. Luther means that one should interpret the Bible according to the manner in which it was written, or in its “literary sense.” . . . To interpret the Bible “literally” in the classical sense requires that we learn to recognize in Scripture different genres of literature. Poetry is to be interpreted as poetry, and didactic passages are to be interpreted according to the grammar of the didactic. Historical narrative must not be treated as parable, nor parable as strict historical narrative. Much of biblical prophecy is cast in an apocalyptic genre that employs graphic imaginative language and often mixes elements of common historical narrative with the figurative language.8
While I heartily agree that the different forms of literature in the Bible should be interpreted differently,
I find that the sensus literalis definition of literal confuses the issue. The problem is that sensus literalis does not define what the correct way to interpret a given genre is. It is a little like the saying “one should always do the right thing.” While this is a truism, it is not of much help if the right thing is not defined (as different people have different ideas of what the right thing is in a given situation).
By using the sensus literalis definition of literal, all commentators would say they interpret Revelation literally! This is because all would maintain that they are interpreting Revelation in the way it should be interpreted. Again, this confuses the issue. Because of this, I prefer to use the dictionary’s definitions of literal (“the actual words in their ordinary meaning”) and symbolic (“something that stands for, represents, or suggests another thing”) in discussing literal and symbolic interpretive approaches to Revelation.
MAKING KNOWN BY WAY OF SYMBOLS
Consider what Revelation says about how literal or symbolic the images in it are. In Revelation 1:1 we are given the following introduction to the book: “The Revelation of Jesus Christ, which God gave Him to show His servants—things which must shortly take place. And He sent and signified it by His angel to His servant John.”
Osborne writes the following about the meaning of “signified” (Gr. sēmainō) here. “This term has a special purpose, for it is the verb cognate of the Johannine term (sēmeion, sign) and yields the idea of ‘making known’ by means of symbols. This is particularly apropos in light of the predominant symbolism of the book.”9
Using this definition of signified, the meaning of Revelation 1:1 is, “The Revelation of Jesus Christ, which God gave Him to show His servants—things which must shortly take place. And He sent and signified it [communicating it by way of symbols] by His angel to His servant John.” Of course the meaning of any word is ultimately defined by the context in which it occurs. When one looks at the book of Revelation and its numerous symbolic images, it lends strong support to the proposition that sēmainō in Revelation 1:1 means making known by way of symbols. David Chilton notes the following along these lines:
Now St. John says that these things regarding the future were signified, or “sign-ified,” to him by the angel. The use of this word tells us that the prophecy is not simply to be taken as “history written in advance.” It is a book of signs, symbolic representations of the approaching events. The symbols are not to be understood in a literal manner. We can see this by St. John’s use of the same term in his Gospel (12:33; 18:32; 21:19). In each case, it is used of Christ “signifying” a future event by a more or less symbolic indication, rather than by a prosaic, literal description. And this is generally the form of the prophecies in the Revelation.10
G.K. Beale points out that in the Septuagint the Greek word sēmainō is used in Daniel 2:45 to denote the making known of prophetic revelations by way of symbols.11 The LXX version of Daniel 2:45 is as follows:
Whereas thou sawest that a stone was cut out of a mountain without hands, and it beat to pieces the earthenware, the iron, the brass, the silver, the gold; the great God has made known to the king what must happen hereafter; and the dream is true, and the interpretation thereof sure.
In this context sēmainō clearly means making known by way of signs. What God had “made known” to King Nebuchadnezzar was the interpretation of his dream of a great human image that symbolized four empires (Dan. 2:36-42). This human image was destroyed by a mighty stone, a symbol of the kingdom of God (Dan. 2:44-45). This section of Daniel is clearly communicating by way of symbols. Beale argues that this use of sēmainō in Daniel 2:45 is an important indicator of its meaning in Revelation 1:1.
To understand the word [sēmainō in Rev. 1:1] fully, its role in the immediate context must be recalled. It is part of a clear allusion to Dan. 2:28-30, 45. The clauses “revelation . . . God showed . . . what must come to pass . . . and he made known” [ellipses in original] occur together only in Daniel 2 and Rev. 1:1 . . . The revelation [in Dan. 2] is not abstract but pictorial. The king saw a huge statue composed of four sections of different metals: gold, silver, bronze, and iron. The statue was smashed by a rock that grew until it became a mountain filling the earth . . . The allusion [of Rev. 1:1] to Dan. 2:28-30, 45 indicates that a symbolic vision and its interpretation is going to be part of the warp and woof of the means of communication throughout Revelation. This conclusion is based on the supposition that John uses OT references with significant degrees of awareness of OT context . . . .12 (underlined emphasis mine)
Again, the book of Revelation is “signified”; the information contained in it is made known by way of signs or symbols. Few if any would deny that Revelation has many symbols in it. It is my contention that symbolism is the primary mode of communication in Revelation; as Beale so wonderfully puts it, part of the “warp and woof” of the book. Essentially all the images in Revelation are symbols.13 Having said that, many of these symbolic images do contain physical referents in them.
THE FALSE CRITERION OF ABSURDITY
In trying to differentiate symbolic from literal images in Revelation, many interpreters operate on the assumption that how absurd or bizarre an image is should be the criterion for what is literal and what is symbolic. It has been said that “if the literal sense makes good sense then look for no other sense.” This sounds like good advice but is not—at least not in the book of Revelation. According to this line of thinking, a lamb with seven eyes and horns is bizarre (and thus symbolic), while two witnesses are not bizarre (and thus literal). This is wrong: the two witnesses are just as much a symbol (a symbol of the witness of God’s people)14 as is the Lamb with seven eyes and seven horns. For the most part the less absurd images in Revelation are just as symbolic as the more absurd images. By the way, the two witnesses kill their enemies with fire from their mouth (Rev. 11:5); they are thus a bit more bizarre than they appear at first glance.
Even though I contend that the images in Revelation are symbols, the foundation underlying the understanding of this symbolism is grounded in the historical-grammatical method of interpretation. Gundry writes the following on the importance of this:
. . . we must presume that the text as it stands had a meaning for the author and his first readers. We want to discover that meaning. The path to discovery lies along the line of historical-grammatical interpretation, which assumes that the language of the biblical text, including its symbolic language, grows out of and speaks to the historical situation of the writer and his readers. To take a non-referential view of language, particularly of symbolic language, may open up possibilities of contemporary interest and deconstructive play, but it blocks the path to historical understanding.15
Before one can begin to understand what John wrote (whether to take it literally or symbolically) one has to know what the words John used meant to him and his audience at the time in history that he wrote. Thus the symbolic interpretation of Revelation that I am advocating is built on the historical-grammatical method of interpreting Scripture. I make this point because some mistakenly equate the historical-grammatical method with literalism.
It is easy to fall into the trap of literalism in Revelation; as I have mentioned, this most often happens when a symbol is not bizarre. Even preterists fall into this trap at times. Most preterists correctly see the New Jerusalem as not being a literal city but a symbol of the bride of the Lamb.16 When the angel tells John that he is going to show him the bride, what he shows him is the New Jerusalem (Rev. 21:9-10).17 In a similar vein, Paul tells us that this Jerusalem from above is the new covenant mother of all believers. (Gal. 4:21-31; cf. Rev. 21:1-2).18
While preterists understand that the New Jerusalem is not a literal city, they are not as clear that Babylon is not a literal city either (preterists usually say Babylon was first-century Jerusalem). The “city” of Babylon is as much a symbol as the “city” of New Jerusalem. In both cases the symbol of a city is being used to represent a community of people. Babylon (the harlot) represents the unfaithful old covenant community; New Jerusalem (the bride) represents the faithful new covenant community. While Babylon was centered in Jerusalem (in the Temple), it represents all of the old covenant community that rejected Jesus, not just the city of Jerusalem. When God tells his people to come out of Babylon (Rev. 18:4), he is not telling them to come out of Jerusalem; the people of the seven churches of Asia were already out of Jerusalem. What God was telling his people was to make a final break with the old covenant temple system.
PHYSICAL REFERENTS CONTAINED IN REVELATION’S SYMBOLS
Even though I see the vast majority of the images in Revelation as symbolic (i.e., the book is unveiling the spiritual realm by means of symbols), there are physical referents contained within these symbols to aid in their identification. For example, harlot Babylon is dressed up in the attire of the high priest as well as the furnishings of the Temple (Rev. 17:4; 18:16; cf. Exod. 28). The merchandise of Babylon (Rev. 18:11-13) consists of the physical materials used in the construction of the Temple as well as the merchandise used in the sacrifices and offerings.19 Thus, while harlot Babylon is a symbol of the temple system of God’s unfaithful old covenant people, physical referents are contained in her description (mostly taken from the Temple and the high priest) for the purpose of aiding in the identification of what she symbolizes.
Another example of a physical referent contained in a symbol in Revelation is found in Revelation 16:21, “And great hail from heaven fell upon men, every hailstone about the weight of a talent. And men blasphemed God because of the plague of the hail, since that plague was exceedingly great.” This plague brings to mind the seventh plague of Egypt where God rained great hailstones on the Egyptians (Exod. 9:18-26). The hailstones of Exodus were said to be very heavy, but the hailstones in Revelation are said to weigh a talent each (about 100 pounds). Such massive hail is a natural impossibility. (As of 1999 the world record for hail was around two pounds.)20 The reference to 100-pound "hailstones" in Revelation is not talking about literal hail; it is symbolic of the Roman bombardment of Jerusalem during its siege. Josephus tells us that these great stones were shiny white (like hail) and weighed a talent each.21
The reason Revelation symbolizes the bombardment of Jerusalem in the form of one of the plagues of Egypt is because this was a fulfillment of one of the curses God said he would bring on his old covenant people when they broke the covenant. God said he would bring the diseases and plagues of Egypt on his unfaithful people at this time (Deut. 28:58-61; cf. Rev. 11:8). Thus, the 100-pound white stones that the Romans rained on Jerusalem are portrayed symbolically as 100-pound hailstones. The reference to the weight being a talent aids in identifying what the symbol refers to; it provides a historical point of reference.
The Antichrist and the Second Coming: A Preterist Examination, vol. II, 69-78
Endnotes:
1. Grant R. Osborne, Revelation, Baker Exegetical Commentary on the New Testament, ed. Moises Silva (Grand Rapids: Baker, 2002), 18.
2. Smalley, Revelation to John, 27.
3. Rev. 12:5 is an exception to this. It shows the AD 30 spiritual birth (i.e., as firstborn from the dead, Rev. 1:5; cf. Rom. 8:29) and ascension of Jesus.
4. Osborne, Revelation, 14.
5. Beale, Book of Revelation, 39.
6. E. Schuessler Fiorenza, Revelation: Vision of a Just World (Minneapolis: Proclamation, 1991), 31-33.
7. Webster’s New World College Dictionary, 3rd. ed. (New York: Macmillan, 1997).
8. R.C. Sproul, The Last Days According to Jesus (Grand Rapids: Baker, 1998), 65.
9. Osborne, Revelation, 55.
10. David Chilton, The Days of Vengeance (Ft. Worth: Dominion Press, 1987), 53.
11. Beale, Book of Revelation, 50-52.
12. Ibid., 50-51. While I agree with Beale that the method of communication in Revelation is by way of symbols, I disagree with how he applies these symbols. Beale sees a given symbol as having a number of possible fulfillments throughout history ending “with a final consummation in salvation and judgment” (what he calls a “transtemporal” approach, see Book of Revelation pg. 48). Thus, the symbol of Babylon could have aspects of Israel and Rome in the first century and aspects of other wicked communities that come against God’s people throughout history. He writes, “The majority of the symbols in the book are transtemporal in the sense that they are applicable to events throughout the ‘church age.’” (pg. 48)
Beale is a great scholar and very helpful and but he has to be used judiciously. I strongly disagree with this shotgun idealistic approach. The symbols in Revelation had one (soon coming) referent in the first century (although many have ongoing fulfillments from that time), not numerous possible referents throughout history.
13. There are a few exceptions to this but they are usually clear in their context. For example, the seven churches were seven literal churches (although they also symbolize the totality of God’s church). Similarly the eight kings of Revelation 17:10-11 were eight demonic kings that worked through eight specific rulers. These examples are exceptions, however; as Beale notes, symbolism is “part of the warp and woof of the means of communication throughout Revelation.”
14. Beale gives a number of reasons to support the idea that the two witnesses are used as a symbol of the new covenant community:
1.) The witnesses are called “two lampstands” in v 4, which should be identified as the churches . . . important is the explicit identification of the lampstands in Rev. 1:20 “the seven lampstands are the seven churches.” It is unlikely that the lampstands are different here than in ch. 1.
2.) Verse 7 says that “the beast . . . will make war with them and overcome them.” This is based on Dan. 7:21, where the last evil kingdom prophesied by Daniel persecutes not an individual but the nation of Israel.
3.) The corporate interpretation is pointed to by the statement in vv 9-13 that the entire world of unbelievers will see the defeat and resurrection of the witnesses . . .
4.) The two witnesses prophesy for three and a half years, the same length of time that the “holy city,” “the woman,” and “those tabernacling in heaven” are to be oppressed (11:2; 12:6, 14; 13:6). If these texts speak of the persecution of a community, then it is plausible to identify the witnesses likewise . . .
5.) Often elsewhere in the book the entire community of believers is identified as the source of “testimony” to Jesus (6:9; 12:11, 17; 19:10; 20:4).
6.) A final hint that these prophets are not two individuals comes from observing that the powers of both Moses and Elijah are attributed to both the two witnesses equally, and not divided among them. They are identical prophetic twins.
(Beale, Book of Revelation, 574-75)
That the witnesses are a corporate symbol of God’s people can also be seen in the fact that the singular “body” is used in vv. 8a and 9a (i.e., “their body will lie in the street of the great city”) although the plural is used in v. 9b (see Beale, Book of Revelation, 594).
Finally, verse 11 (which shows God’s breath of life resurrecting the two witnesses) alludes to Ezek. 37:8-14 which speaks of a corporate resurrection of Israel. Quoting Beale again, “Ezek. 37:10-13 refers to restored Israel as ‘an exceedingly great army . . . the whole house of Israel . . . my people.’ Since Ezekiel prophesies the restoration of an entire faithful nation to God, John sees the fulfillment in all the faithful of the church, and not merely in two faithful individuals.” (Book of Revelation, 597)
When a symbol is not extraordinary—like with the two witnesses—it is easy to lose focus of the symbolic nature of Revelation and start looking for two actual persons. Looking for two people who were the two witnesses is as big a mistake as looking for an actual harlot or the beast she rode on. They are all symbols.
15. Robert Gundry, “The New Jerusalem: People as Place not Place for People,” Novum Testamentum 29 (1987), 255-56.
16. Those who were faithful under the old covenant are part of this new covenant community (Rev. 21:12).
17. By switching symbols from a bride to a city, God is able to reveal more information about his new covenant people (this information is conveyed in the details of the city, e.g., Rev. 21:14; cf. Eph. 2:19-22).
18. That the heavenly Jerusalem is likened to both a mother and a bride is not an inconsistency. For example, there is no inconsistency in saying believers are children of God and at the same time his bride or that Jesus is both the Good Shepherd and the Lamb of God.
19. Carrington notes the following about the merchandise of Babylon: “The long list of merchandise in 18:11-13 is surely a catalogue of materials for building the Temple, and stores for maintaining it.” Philip Carrington, The Meaning of the Revelation (Eugene, OR: Wipf and Stock, 2007). Originally published by SPCK, 1931, 287.
20. Hail is the result of frozen drops of water bouncing up and down in the atmosphere due to strong updrafts. Every time a piece of hail goes up in the atmosphere it freezes again and forms another layer of ice, getting bigger and heavier. When the hail gets too heavy for the updrafts to keep it in the air it falls to the ground. Thankfully, this happens way before hailstones reach a weight of a hundred pounds!
21. Josephus writes, “The engines of all the legions were masterpieces of construction, but those of the tenth were supreme. Their quick-firers were more powerful and their stone-throwers bigger, so that they could repulse not only the sorties but also the fighters on the ramparts. The stone missiles weighed a talent and traveled two furlongs [approx. 375 m.], and their impact not only on those who were hit first, but also on those behind them, was enormous. At first the Jews kept watch for the stone—for it was white—and its approach was intimated, to the eye by its shining surface, as well as to the ear by its whizzing sound.” Josephus, Jewish War, 5, 6, 3, trans. Cornfeld, 370-72 (underlined emphasis mine).